Ernst Reichl, Wide Awake Typographer website

EReichl_PosterErnst Reichl, a prominent American book designer from the 30s to the 70s did something no other book designer has done, to my knowledge: he wrote comments and stories and critiques about many of his book designs on index cards, then stuck them in the books in his library. These were found when his family donated his books and papers to Columbia University’s Rare Book and Manuscript Library. The discovery of these comments became the focus of my research on Reichl, culminating in a 2013 exhibition at the RBM Library, the creation of a database of all his book design comments, and now a searchable website with the comments and images of most of these books. I hope this website will be interesting and useful.

I also wrote about Reichl’s work for Design Observer: his design for Joyce’s ‘Ulysses,’ and about the exhibit.

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Graphic Design Canon?

AIGAcanon.back_4679Some of my first graphic design history research focussed on finding women designers, after I noticed they were missing. One way to discuss the ‘missing’ was to show how few had work published in some major GD history books. The AIGA journal published “Is there a Canon of Graphic Design?” in Fall 1991. This article has been anthologized in “Design Culture” edited by Steven Heller and Marie Finamore (Allworth, 1997). Eye magazine published an update, “Googling the Canon” no. 68, May 2008.

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Cipe Pineles: 10th Pioneer?

EyePioneerpg_4687Early in my research about Cipe Pineles (which ultimately resulted in “Cipe Pineles: A Life of Design,” WW Norton, 1999), I decided that the book “Nine Pioneers in American Graphic Design” by Roger Remington and Barbara Hodik (MIT, 1989) should have allowed one more into the pantheon. My article “Cipe Pineles: 10th Pioneer?” makes the case, published in EYE no. 18, fall 1995.

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Italian Political Design

PrintItalypg_4685During a long stay in Italy, I became interested in the sophisticated design for political parties in Italy. Several prominent designers were engaged by different political parties to devise the images and messages in ways that never appear in the USA. I wrote about this for Print in “Left, Right and Center: Political Design in Italy,” May/June 1988.

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“For the Voice” Mayakovsky and Lissitzky

ElMaya3_4692Several years of research and graduate student experiments resulted in the publication of a facsimile edition of El Lissitzky’s designs for Mayakovsky’s poems, sometimes titled “For Reading Out Loud” and sometimes titled “For the Voice.” The final publication was a collaboration with other scholars and published by The British Library and Artists Bookworks in 2000. My work entailed an essay describing the process of both translating the poems from Russian to English, and then translating the Cyrillic characters into Roman alphabet characters with similar forms, as well as the facsimile booklet.

I also wrote an earlier essay about the project, published in Visible Language, Spring 1988. This is the abstract for that article:

Title: Verbal and Visual Translation of Mayakovsky’s and Lissitsky’s For Reading Out Loud Vol: 22.3/4 Author(s): Lange, Martha Scotford Abstract: Full understanding of visual poetry created by a linguistically different culture poses particular problems. Translations of selected poems from Vladimir Mayakovsky’s For Reading Out Loud (1923) are presented here. In addition, an attempt is made at transposing the visual wordplays found in the original Cyrillic typography into the Roman alphabet. The English reader is able to enjoy the verbal/visual dexterity of El Lissitsky’s typographic presentations of Mayakovsky’s poems. Analysis of the design process and some historical background provides a context for fuller understanding of Lissitsky’s innovative work.

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Zwart’s Het Boek van PTT

Zwart_PTT_001.72For inclusion in Steven Heller’s 2011 “I [heart] Design” I wrote about one of my favorite designs: an ingenious book for the Dutch post, telephone and telegraph office. Some spreads below.

 

 

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Useable Design History

About 1999, I participated in a small design history conference at Rochester Institute of Technology and presented this lecture and following workshop for design teachers. There are specific design examples mentioned; you probably know them or can find them easily with the designer and titles provided.

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Review: Paul Rand, Conversations with Students

Review of book for Eye magazine.

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Indian Design History, a provocation

At a design history conference in Guadalajara, Mexico in 2004, I presented a paper discussing some problems of design history in post-colonial cultures. You can see the images shown in this rather large powerpoint.

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Design as System/Food as System

As the first junior level design studio in our new curricular structure in 2008, Silas Munro and I took Food as our subject. This conference presentation describes the studio content and teaching method, and provides student examples.

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